Just in case you don’t know who he is, Bramhall is a 40 year-old singer/guitarist/songwriter from Dallas Texas. He has a band called Smokestack, but he is best known for being Eric Clapton’s 2nd guitarist since 2004, playing along side Roger Waters on the concert DVD In The Flesh-Live and for his 1992 band Arc Angels (which also featured Charlie Sexton and the rhythm section of Double Trouble). Coincidentally Arc Angels has recently reunited, minus bassist Tommy Shannon, and is currently opening for Eric Clapton on the Spring European leg of his long running tour. Bramhall is also the son of Doyle Bramhall Sr., whose only claim to fame is that he was a friend and collaborator of Stevie Ray Vaughan's.
Now that I’ve given a little background on the man, let me explain why I’ve chosen to write a blog that arguably defames him. A few weeks ago when I responded to the ad that has now led to me being a contributor to this site, I wanted to send a sample of my writing…which up to this point has been mostly film related. So I looked at what I had to offer and the only things that were about music were concert reviews. I chose to send a review of a Clapton show that I saw last summer at Jones Beach in Long Island. I began the review with this:
It was a crisp and cloudy night in Long Island on Thursday June 5th, but fans still flocked to the outdoor Nikon Theater at Jones Beach to see a living guitar legend.
Clapton took to the stage with a slight limp in his step, but opened the show with a lively rendition of the Dominos classic Tell the Truth. Doyle Bramhall II did a good job of providing slide guitar fills on this opening number, but in my personal opinion it was the over abundance of his guitar work that made this show sub-par.
While reading over the (now year old) review, I was reminded of the frustration I felt that night and I was also reminded of when VH1 Classics aired an outside music festival that took place in Hyde Park, just days after the disappointing Jones Beach show. The day after the VH1 special aired I received an email from my brother who asked “who was that guy playing with Clapton, and why the hell would Clapton let him solo?”
Clapton first worked with Doyle Bramhall II in 2000 on his collaboration with B.B. King, a CD titled Riding with the King (2000). Bramhall also made contributions to Clapton’s Reptile (2001), Me and Mr. Johnson (2004), Sessions for Robert J. (2004), Back Home (2005) and the J.J. Cale collaboration The Road To Escondido (2006).
I first saw him play with Clapton during the 2004 tour promoting the two Johnson tribute albums. I have to admit that based on nothing at all, my buddy who accompanied me to the show and I took a very quick disliking to the young guitarist who through wardrobe and the way he carried himself, seemed to be trying very hard to epitomize “cool”. Hell he even played an upside down right-handed guitar….which is the coolest of all ways for a southpaw to play. Was it right to make such quick judgments? No, but we did it anyway….we’re only human.
Quite frankly on that tour, in the role of strictly a rhythm/backup player he was fine. He’s a competent rhythm player and despite the fact that he claims that he had never listened to Robert Johnson before working with Clapton, he was actually quite good as an accompanist during the “sit down/acoustic” portion of the set.
When I saw Clapton in 2006 he was again accompanied by Bramhall on rhythm and also Derek Trucks on both lead and rhythm. It was a good show. Clapton and Trucks played beautifully together and Bramhall held the rhythm down sufficiently. The tour in general had a healthy dose of Dominos material (thanks to the insistance of Bramhall and Trucks), which was very exciting and Robert Cray who was the opening act also sat in on several songs. It was great!
All was right in “Slowhand-land”, until soon after Clapton’s Crossroads Guitar Festival, Trucks left the tour to fulfill prior engagements with the Allman Brothers and pursue his own solo work. The tour managed to go on without him, but would never be the same. There was a brief hiatus beginning in February 2008 so that Clapton could reunite with Steve Winwood for three historic shows at MSG (which I attended and will be writing about on this site in the near future) and presumably to spend some time with his family. By May of that year the tour had resumed and that is when the problems began. (On a side note Clapton has been doing an awful lot of touring for a guy that just 5 years ago announced he would not be touring anymore.)
I caught the Summer 2008 leg of the tour on June 5th, at the Long Island amphitheater known as the Nikon at Jones Beach and was very disappointed to see that Clapton was allowing Bramhall to step into the role that he had previously given to Trucks, that of an equal lead guitarist. Bramhall literally took solos on every song and played every bit as much as Clapton did. I think an excerpt from my previously mentioned review of the show sums up perfectly the way I was feeling at the time:
Starting the tour in 2006, Clapton had the young and extremely talented Derek Trucks playing alongside him. The two appeared to be equally sharing the bulk of the lead work and it was wonderful. Here Clapton seems to be giving Bramhall the same opportunity, but unfortunately the young lefthander lacks the skill and talent of the blonde pony-tailed slide guitar prodigy. Bramhall took a lengthy solo on possibly every song tonight and as a slide player he is more than adequate, but otherwise, he is really just average. His playing just does not hold up against Clapton's and as a spectator who paid good money and sat in hours of traffic to see Ol' Slowhand, it was frustrating to have to sit through his mediocre solo after solo.
Now flash forward to May of 2009, just a couple of weeks ago. I got my hands on a beautiful copy of a Japanese telecast of Clapton live at the Budokan Hall, February 25th, 2009. The picture and sound quality are both 10 out of 10 and to my great pleasure, the set list is for the most part Blues heavy, with a just few choice Dominos tunes, a Harrison cover and a few popular Clapton standards thrown in for good measure (I’ll post the set list below). So I sat and watched this entire concert and once again was subjected to the mediocre lead guitar stylings of Doyle Bramhall II. Granted he did not solo as much as he had at the show I went to, but it was still too much for my taste. His lead work is just choppy and fragmented. It lacks any kind of fluidity or cohesion and he sometimes hides behind weird pedal effects that don’t match the sound of the rest of the band. I’m sorry, but I just don’t care for his playing nor do I understand his appeal.
I’m not saying that Doyle Bramhall II is without talent. He has co-written songs that are decent, including the single from Clapton’s 2001 Reptile album, Superman Inside (ok maybe that is not the best example). As previously mentioned I also feel that he is competent rhythm player, not great, but competent. I just don’t understand why Clapton (1) chooses to keep playing with him and (2) continues to allow him to solo. I’m sorry but with the cost of ticket prices these days; if I’m paying to see a Clapton show I want to see Clapton play. I’m not paying to see some guy that quite frankly may not be any better at soloing than me!
Here is an example of what I'm talking about. He's not exactly bad, but he's not great either. I've seen fairly unknown local guitarists with more talent.
Check out some NYC Blues with J. Blake & The Earthquake at:
www.myspace.com/jblaketheearthquake or http://www.livebluesworld.com/profile/JBlakeTheEarthquake
as well as on Facebook.
Copyright © 2009 - J. Blake. All Rights Reserved
Eric Clapton Set Lists:
June 5, 2008
Nikon at Jones Beach Theater, Wantagh NY
01. Tell The Truth
02. Key To The Highway
03. Hoochie Coochie Man
04. Little Wing
05. Outside Woman Blues
06. Double Trouble
07. Don't Knock My Love
08. Ramling On My Mind
09. Rockin' Chair
10. Motherless Child
11. Travelling Riverside Blues
12. Running On Faith
13. Motherless Children
14. Little Queen of Spades
15. Before You Accuse Me
16. Wonderful Tonight
17. Layla
18. Cocaine
Encore:
19. I've Got My Mojo Working (with Robert Randolph)
February 25, 2009
Budokan Hall, Tokyo Japan
01. Tell The Truth
02. Key To The Highway
03. Hoochie Coochie Man
04. I Shot The Sheriff
05. Isn't It A Pity
06. Why Does Love Got To Be So Sad
07. Driftin' (EC Solo Blues)
08. Travelin' Alone
09. That's Alright
10. Motherless Child
11. Running On Faith
12. Motherless Children
13. Little Queen of Spades
14. Everything's Gonna Be Alright
15. Wonderful Tonight
16. Layla
17. Cocaine
Encore:
18. Crossroad
Yup, he's weak. Below average. Dunno why Clapton plays with him.
ReplyDeleteI watched 2010 Clapton Crossroads show and I was confused who the FK this whippersnapper was and when the rookie Gary clark was tearing it up on a solo this moron kept coming over and telling him shite??? "hey guy, I'm busy tearing it up over here"!!!!
ReplyDeleteYour review was more than generous !
As a axe junkie ,this guy is to cool for school and spends waaaaaaaaaaaay too much time looking in the mirror.
Yech!!
Monica, if you really want to see a living British Blues legend tear it up ?
ReplyDeleteCheckout Robin Trowers new Blues CD :
"Roots & Branches"
Try trowerpower.com
When all the guitar gunslingers(Slash etc.) quietly go see Robin's shows. You know somethings up?
Sadly Clapton and others have turned their back's on Trower.
Sometimes being compared to Hendrix hurts?
This guy can play the blues ...PERIOD.
Thanks I feel better now.
Monica ,Doyle & Gary JR., I rest my case:
ReplyDeletehttps://www.youtube.com/watch?v=x_ZeDn-hHGE
I read his lips and the second time Doyle bothers him during his solo, Doyle said, "that crowd cheers one more time for you and I'm going to hit you with my strat"!
You were right Monica, peace out.....
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ReplyDeleteVery late to this party, but i agree 100% on this article. He spends too much time trying to look cool than to deliver some decent solos. There are so many great and, frankly, better players than him. so no idea what Clapton sees in him.
ReplyDeleteAre you guys kidding??!The clip above shows some insanely great playing by Bramhall. Timing, tone, a total command of the blues language, certainly some of the best Albert King-type bendings since SRV.
ReplyDeleteI'm sorry but if you think this is terrible then you don't have any clue about blues.
BTW, I'm sure the folks posting here think Jimmie Vaughan is awful too. Blues is NOT about flash.
DeleteDoyle Bramhall is mediocre on a good night. Heard him live with EC and on You Tube.
Plenty of players in small venues that can outplay him in emotion and notes
His phrasing is terrible.
His lower note soloas on slow blues are congested with no resolution.
Did someone pay you for a DB positive review
Andreas I agree with you! .. sounds like the haters are tripped up on image and clearly don’t know shit about the logistics behind what makes the blues... Doyle Bramhall grew up with blues legends around and influencing him since he was a child, starting with his dad (Doyle Bramhall I), Stevie, and Jimmie Vaughan etc. He happens to be one of Eric Clapton’s favorites whom pursued Doyle after hearing him play, so I’m pretty sure if he was an amateur or lacked skill, Clapton wouldn’t have him continue to play with him....he holds his own and I’m pretty sure Clapton knows a bit more about talented players than any of you...! I do believe that he’d recognize if he were “underrated” or “mediocre at best”... Doyle is one of the most talented guitarist and has paid his dues over the years. His guitar skills are amazing as well as his vocals.
ReplyDeleteYour review is petty and insulting to not only novice music enthusiasts who know how to appreciate something that sounds amazing, but to the likes of Eric Clapton- whos judgement as one of the greatest musicians of all time- you clearly doubt ... please rethink your facts and stance before posting another catty-baseless article.
Saw many of the blues legends in NYC. Bb King, Freddy King and Albert King at the Fillmore billed the night of the Kings,, Buddy Guy, Johnie Copland, SRV EC etc. They were amazing.
DeleteDB is mediocre.
I've heard dozens of small venue guitar players over the years that are way better. I've performed with them in a band myself.
He is not doing anything amazing. He is competent but his playing is pedestrian.
Maybe EC was helping him out cause of his heroin addiction and marriage breakup Who knows?
I amat last delighted to hear another human being, apart from my cousin, that truly believe Doyle has one true talent, and that is as a professional ligger, and musical networker, I have many musician friends part timers and pro's, that would play him out the park. His father was fairly pally with SRV, Delaney Bramlett, and Eric, and I do believe he just got in Erics ear for his band to appear at one of the early Crossroads, and he has been hangin about like a bad smell ever since. He must have impressed EC, with maybe his cool style, but I cannot see it being his musicianship fr either Guitar playing or his Vocal prowess. I find him totally bland, I wish sometimes that Eric should realise that their are so many youhg virtuoso guitarist like Joe Bonamassa was when he was under the mentorship of the greatest of all 6 string players of any genre The (Alien) Mr Danny Gatton. I think he has overstayed his welcome, and I totally agree with every criticism that J Blake put forward. Its now a case of irritation, I was saying this about him after his first appearance at Crossroads with his pal Garry Clarke Junior, he has slightly improved, but sorry the Crossroads Festival launched these two careers getting them record deals, it didnt do John Mayer any harm but he has his own feel I like his playing. Guitarists like Derrick and his lovely wife Susan Tedeschi, what a band they have. even if it was Warren Haynes a class guitarist, players of that calibre, I could understand. Really to sum it up, Bramhall number 2, is a very lucky lad indeed. what did they say about falling into a barrel of Tits, he wouldnt have any thumbs in his mouth thats for sure. Thanks for cheering me up with this blog Mr J Blake,I thank you, and wish you and your family a very lovely Crimble and as we say in Scotland a prosperous Hogmanay.
ReplyDelete